I found that Mr. Duke uses a lot of major sixths throughout the song. I've noticed that elsewhere too. Maybe a rule of some sort could be "If you have a major triad, add in a major sixth for colour". Something along those lines. Simple rules like that will likely make up most of the ruleset. The rules don't have to be complicated - they simply have to work.
Anyways, here's the recording. I recommend listening to it all the way through. I'm not a Celine Dion fan (who am I kidding...) but I'm a big George Duke fan, and this is phenomenal.
Note the spine-tingling use of tension and release starting at 5:05. When I talk about tension and release and it's effectiveness in my dissertation, this is what I mean. Unbelievable.
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